![]() As you are removing parts of your shot based on its color, you can, in theory, use any color you like. With chroma-keying, the background doesn’t have to be green. This results in two pieces of footage being played simultaneously, with the top clip being transparent in the areas you have keyed out, leaving the bottom clip in its place. When you shoot your film, you mask out portions of the shot with a color matte and replace those sections with other images during the edit. The green screen is also called chroma key, which is a more accurate term for the actual process. This method is not only used by filmmakers when the world they want to create does not exist (such as Avatar and the Marvel films) but also when the cost of shooting in a real location would be too difficult, costly, or dangerous (like Life of Pi or Gravity). Using green-screen effects have become vital across all levels of the industry. With modern editing software, these methods have become simpler, easier to control, and more impressive in their results.Īs the technology evolved, the ambition of filmmakers has also increased. ![]() ![]() The result, while basic, allowed photographers to experiment with background replacement all from within the camera. For example, taking a photo of a subject in front of a black color matte then, using the same film, then taking a photo of a background. ![]() The original method involved photographers double exposing their film reels. Using Green Screens in Film: A Brief Historyįilmmakers have practiced green screening in its current form since the 1930s, but like most filmmaking techniques, it has earlier roots in photography. ![]()
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